martes, 20 de marzo de 2018

Telecharger The Shawshank Redemption 1994 Film Gratuit en Ligne -1080p-MPEG

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The Shawshank Redemption"





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titanesque

The Shawshank Redemption 1994

durée

128 minute

abandon

1994-09-23

propriété

MPEG-2 1080p
BDRip

Genre

Drama, Crime

langagière

English

castname

Feury
B.
Boulé, Godon O. Kenlee, Herbert J. Deziree





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very good movie 9.5/10 محمد الشعراوى
Some birds aren't meant to be caged.

The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate, Ellis "Red" Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them.

There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn't give much inkling to anyone about what it was about, and with Columbia Pictures unsure how to market it, Shawshank Redemption barely registered at the box office. However, come Academy Award time the film received several nominations, and although it won none, it stirred up interest in the film for its home entertainment release. The rest, as they say, is history. For the film finally found an audience that saw the film propelled to almost mythical proportions as an endearing modern day classic. Something that has delighted its fans, whilst simultaneously baffling its detractors. One thing is for sure, though, is that which ever side of the Shawshank fence you sit on, the film continues to gather new fans and simply will never go away.

It's possibly the simplicity of it all that sends some haters of the film into cinematic spasms. The implausible plot and an apparent sentimental edge that makes a nonsense of prison life, are but two chief complaints from those that dislike the film with a passion. But when characters are this richly drawn, and so movingly performed, it strikes me as churlish to do down a human drama that's dealing in hope, friendship and faith. The sentimental aspect is indeed there, but that acts as a counterpoint to the suffering, degradation and shattering of the soul involving our protagonist. Cosy prison life you say? No chance. The need for human connection is never more needed than during incarceration, surely? And given the quite terrific performances of Robbins (never better) & Freeman (sublimely making it easy), it's the easiest thing in the world to warm to Andy and Red.

Those in support aren't faring too bad either. Bob Gunton is coiled spring smarm as Warden Norton, James Whitmore is heart achingly great as the "Birdman Of Shawshank," Clancy Brown is menacing as antagonist Capt. Byron Hadley, William Sadler amusing as Heywood & Mark Rolston is impressively vile as Bogs Diamond. Then there's Roger Deakins' lush cinematography as the camera gracefully glides in and out of the prison offering almost ethereal hope to our characters (yes, they are ours). The music pings in conjunction with the emotional flow of the movie too. Thomas Newman's score is mostly piano based, dovetailing neatly with Andy's state of mind, while the excellently selected soundtrack ranges from the likes of Hank Williams to the gorgeous Le Nozze di Figaro by Mozart.

If you love Shawshank then it's a love that lasts a lifetime. Every viewing brings the same array of emotions - anger - revilement - happiness - sadness - inspiration and a warmth that can reduce the most hardened into misty eyed wonderment. Above all else, though, Shawshank offers hope - not just for characters in a movie, but for a better life and a better world for all of us. 10/10
Make way for the best film ever made people. **Make way.**
There is a reason why this movie is at the top of any popular list your will find.
Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror).
Sufficient drama and depth to keep you interested and occupied without stupefying your brain. It is the movie that has something for everyone.
It's still puzzling to me why this movie exactly continues to appear in every single best-movies-of-all-time chart. There's a great story, perfect cast, and acting. It really moves me in times when I'm finding myself figuring out things with my annual tax routine reading this article, and accidentally catching myself wondering what my life should be if circumstances had changed so drastically. This movie worth a rewatch by all means, but yet, there's no unique vibe or something - there are thousands of other ones as good as this one.

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lunes, 19 de marzo de 2018

The Green Mile 1999 Streaming Complete - Telecharger Film -1080p-DTS

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The Green Mile"





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tissée

The Green Mile 1999

durée

112 minuscule

émission

1999-12-10

qualité

M4V 1440p
Bluray

Genre

Fantasy, Drama, Crime

langagier

Français, English

castname

Flamand
B.
Onésime, Rajina N. Omolayo, Raffy R. Junhao





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The Pianist 2002 Film Streaming - Telecharger Film -1080p-M1V

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The Pianist"





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tissus écossais

The Pianist 2002

durée

167 inscrire au procès-verbal

libération

2002-09-17

caractéristique

M1V 1080p
VHSRip

Genre

Drama, War

langage

Deutsch, English, Pусский

castname

Baer
K.
Taqwa, Fabrice Y. Srinika, Erica Q. Avey





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domingo, 18 de marzo de 2018

Telecharger The Mighty Ducks 1992 Film Gratuit en Ligne -1080p-DTS

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The Mighty Ducks"





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tissus écossais

The Mighty Ducks 1992

durée

129 minuscule

version

1992-10-02

caractéristique

MPG 1440p
HDRip

Genre

Comedy, Family

langue

English

castname

Vigny
M.
Lillie, Church B. Daujat, Desarae K. Nohé





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The Lord of the Rings: The Return of the King 2003 streaming vf -1080p-MPEG-1

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The Lord of the Rings: The Return of the King"





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titre adossé à des créances hypothécaires

The Lord of the Rings: The Return of the King 2003

durée

112 minute

version

2003-12-01

vertu

DAT 720p
HDTV

Gattung

Adventure, Fantasy, Action

langage

English

castname

Odetta
M.
Oghosa, Zelie O. Shamari, Dielle T. Amia





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And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?

Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.

And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.

In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.

The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.

And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.

Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.

Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).

But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.


Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.

5/5

- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.

RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.

While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.

“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.

Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.

Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?

Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.

As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.

Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.

THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.

GRADE: C

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Voir Tombstone 1993 Film Streaming -720p-MPE

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Tombstone"





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titrage

Tombstone 1993

durée

138 inscrire au procès-verbal

mise en liberté

1993-12-25

qualité

M1V 1080p
HDRip

Gattung

Western

langagier

English, Latin

castname

Hondt
T.
Kameran, Pius H. Delteil, Quiron R. Schérer





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sábado, 17 de marzo de 2018

Minority Report 2002 streaming vostfr -1080p-M1V

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Minority Report"





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titrable

Minority Report 2002

durée

192 minute

relargage

2002-06-20

caractéristique

Sonics-DDP 1080p
HDRip

Gattung

Action, Thriller, Science Fiction, Mystery

langue

English, svenska

castname

Ménard
P.
Lescot, Norbert K. Lula, Nemo N. Wanita





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Brit Marling — Wikipédia ~ Biographie Brittanny Marling est née à Chicago en surnom « Brit » lui a été donné par son arrièregrandmère norvégienne Elle est diplômée en économie et en cinéma de luniversité de Georgetown Carrière Elle est reconnue pour la première fois en 2004 pour le documentaire Boxers and Ballerinas coécrit avec Mike Cahill et Nicholas Shumaker et coréalisé avec

Metronomy — Wikipédia ~ Histoire Joseph Mount a fondé Metronomy alors quil vivait encore dans le sagissait pour lui dune œuvre parallèle à ses autres projets

Bebe Rexha — Wikipédia ~ Biographie Enfance Bleta Rexha est née le 30 août 1989 à Brooklyn New York 2Ses parents sont dorigines des Albanais de Macédoine 3Son père Flamur Rexha est né à Debar Macédoine et a immigré aux ÉtatsUnis à lâge de 21 ans Sa mère Bukurije Rexha est née aux ÉtatsUnis dune famille originaire de Gostivar Macédoine 4 5

Seven Deadly Sins — Wikipédia ~ Écrit et dessiné par Nakaba Suzuki le manga a débuté en tant que one shot publié le 22 novembre 2011 dans le Weekly Shōnen Magazine 1La prépublication a ensuite commencé le 10 octobre 2012 et le premier volume relié est sorti le 15 février 2013 En janvier 2015 lauteur annonce la fin du premier arc du manga sur les trois de prévus 2

My Everything album dAriana Grande — Wikipédia ~ My Everything est le second album studio de la chanteuse américaine Ariana Grande sortie le 22 août 2014 dans certains pays et le 25 août 2014 dans le reste du monde sous le label Republic

Sash — Wikipédia ~ Histoire Sascha Lappessen Thomas « Alisson » Lüdke et Ralf Kappmeier ont créé Sash en trois premiers singles sont Its My Life Encore une fois et 1997 sort le premier album de 12 titres Its My Life qui contient les tubes précités et le nouveau single Stay dont le clip est tourné dans le quartier de La Défense en banlieue parisienne

Warren G — Wikipédia ~ Warren G de son vrai nom Warren Griffin III né le 10 novembre 1970 2 à Long Beach en Californie est un rappeur amé est membre du groupe publie son premier album solo G Funk Era en 1994

Fabolous — Wikipédia ~ Fabolous de son vrai nom John David Jackson né le 18 novembre 1977 à Brooklyn New York est un rappeur amé carrière de Jackson débute en 1998 il se lance dans le rap sur lémission de radio présentée par DJ Clue puis sur Hot est ensuite signé au label de DJ Clue Desert Storm puis assure un contrat de distribution avec Elektra Records

The Isley Brothers — Wikipédia ~ The Isley Brothers est un groupe de musique afroaméricain actif depuis le début des années leurs premiers enregistrements en 1955 les Isley Brothers ont continué à rester actifs dans des répertoires variés tels que le gospel le doowop le RB la soul le funk le rock n roll et le groupe possède le record davoir placé un titre dans le Top 100 du Billboard

TheDream — Wikipédia ~ Terius Youngdell Nash plus connu sous le nom TheDream né le 4 décembre 1977 à Atlanta en Géorgie est un chanteur producteur et parolier américain Il a été marié à la chanteuse de RB Christina sest rendu célèbre grâce à sa contribution aux hits Umbrella de Rihanna et Bed de J a écrit pour de nombreux artistes dont Rihanna Mariah Carey et Beyoncé


Spielberg does Tech-Noir!

The year is 2054 and the murder rate in Washington is zero, the reason? Three Pre-Cognitives whose combined abilities witness murders before they actually occur. Apparently faultless, it's then something of a surprise to Pre-Crime chief John Anderton (Tom Cruise) when the Pre-Cogs predict he is to murder a man named Leo Crow. Forced to go on the run, and haunted by a family tragedy, Anderton must evade the system he so perfectly executed himself. Can he find a flaw? Or is he actually about to commit a murder?

Everybody Runs! That was the tag line that accompanied the explosive trailer for Steven Spielberg's, Tom Cruise starer, Minority Report. This marketing tool indicated that the great bearded one had adapted from the Phillip K Dick short story and created an action monster? He hadn't, he had in fact created something far far better than popcorn fodder.

Minority Report was the next project for Spielberg following the equally dark and intriguing AI: Artificial Intelligence, both films serving to note that Spielberg was capable of thought provoking science fiction outside of the crowd pleasers that many critics love to decry. In fact, it's arguable that Spielberg may have hit his creative peak with Minority Report, for the messages and crawling dystopian bleakness on show paint a picture not so much as a future far away in our lives, but of one we live in now. Big thematic points of reference dot themselves throughout the piece. Such as the changing of eye balls, or that in these post 9/11 years we yearn, and always will, to be safer.

Here in this bleached shadowy world, a world of metallic tones and visual stings (ace cinematographer Janusz Kaminski on duty), we are safe under Pre-Crime, yet still it's a world without soul, it has no heart, it's almost as if inhuman in itself, suggesting that the World's problems are not easily vanquished by technology - a total sacrifice of the World's inhabitant's souls. Spielberg of course is well served by the supreme professionals he has at his disposal, he has also managed to garner a great performance from Tom Cruise, something that critic and fan favourite directors have not managed to do previously. Believable grief, action work as strong as ever, it is however with his ability to imbue a tortured film noir protagonist where Cruise excels the most.

Alongside Cruise and operating with great impact, are Samantha Morton as Pre-Cog Agatha, and Max Von Sydow, who adds that touch of experienced know how needed for his particularly important character. the odd casting choice appeared to be Colin Farrell as the meddling, almost vindictive Danny Witwer, but he plays well off of Cruise, this even if he veers dangerously close to comic book villainy at times (check out a holy smoke Batman scene). What action there is is first rate, from a jet back pack pursuit, to car jumping heroics, the sequences are crafted with Spielberg's deft eye for an action sequence. While the sick sticks (yes you read right) metal spiders and a brilliant Peter Stormare cameo should hopefully have you squirming and grinning in equal measure.

Which brings us to the finale, an ending that may not be a complete surprise (yet it still doesn't cop-out in context to Anderton's tragedy), but things are rounded off in true classic noir tradition, closing down a thinking man's tech-noir. Superb. 9/10
Works more on the strength of Spielberg than of Cruise.

_Final rating:★★★ - I personally recommend you give it a go._

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