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The Fifth Element"





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titre adossé à des créances hypothécaires

The Fifth Element 1997

durée

158 inscrire au procès-verbal

libération

1997-05-07

propriété

MPG 1440p
DVDScr

Gattung

Adventure, Fantasy, Action, Thriller, Science Fiction

langage

English, svenska, Deutsch

castname

Cowen
T.
Mamou, Wright K. Légaut, Diyanah K. Péju





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This movie is one of the best movies of all time! It has a great story lines and graphics of it's time and even to today's standards it is brilliant. The world is well though out and well demonstrated. Zorg is a great bad guy, played by Gary Oldman and Bruce Willis plays his role very well. All in all a excellent movie.
A simple enough concept: Guy must save a World (in the Future!) from Evil! by protecting a Magical Macguffin, only in this case it’s a Girl! instead of a Thing.

There’s really not a lot of story here. Not a lot of character either. Why waste valuable screen time with such paltry concerns when you can instead have Chris Tucker prancing around as a flamboyant radio host in the most annoying cinematic sci-fi supporting character not created by George Lucas? Instead, the film casts actors who do a fair job of acting simply by being themselves: Bruce Wills is Korben Dallas, a brawny, shoot-first hero who, when the chips are down, is brawny and shoot-firsty. The Magical Girlfriend MacGuffin, Leeloo, is played by Mila Jovovich (in her breakout performance) and some strategically-placed wrappings (the wrappings have had a harder time breaking into more mainstream roles). Ian Holm turns up as the Old Mentor, and filling out the cast is Gary Oldman as the antagonist Zord (in his hammiest role ever).

The film seriously rises to the level of made-for-SciFi Channel-original and no higher. The plot is nonsensical, the acting committed but laughable, and the dialogue so stiff you’d think the script pages had been starched.

So where does the film go legitimately wrong? Two main places: first, Besson carries on the proud tradition of French filmmakers doing weird things solely for the sake of being weird. The entire film is filled to the brim with the kind of idiosyncratic touches that I’ve come to expect from that region. Most of the bits don’t work, but I’ll give them credit for keeping things interesting.

The second, more serious issue is another that seems to plague genre French directors, and that’s the whole matter being played (largely) for farce. The most successful (creatively) American (sci-fi/)action films are defined in very large part by their villain. This film, like so many other sci-fi/action films I’ve seen from French directors, never establish or maintain an element of power for the villains over the heroes. The villains are painted as clueless, moronic, out of their depth, or outright incompetent. That tradition continues here. What would Star Wars be without Darth Vader? Die Hard without Hans Gruber? Aliens without…uh, aliens?

Lacking a strong (or even memorable) central villain (we have two: a Gary Oldman so hammy I’m pretty sure Muslims couldn’t work on the film, and the other being a giant planet-size ball of…Pure!Evil! No joke.), the film sacrifices the one shot it had at having some kind of weight or dimension. There’s no sense of danger or peril, no chance that the Hero won’t triumph, and [spoilers!] the day is essentially saved by a Care Bear stare.

So, does what I’ve just said make it bad? Well, yes. Let’s try again. Does that made it unenjoyable? No, and it’s an important distinction to make. The film is an interesting curiosity. After a half-hour of the bizarre, if you can let yourself be swept into its idiosyncratic world you’ll find a perfectly watchable B (or C)-movie. It rankles a bit to think about how much was wasted making dreck this dreck-y, but it’s entertaining dreck.
Ever since I first watched The Fifth Element in the late 90s, I've been inspired by Gary Oldman's Jean-Baptiste Emanuel Zorg.

_Final rating:★★★½ - I strongly recommend you make the time._
Negative, I am a meat Popsicle.

It's 2259 and the Earth is in mortal danger from pure evil. The only hope Earth has is something called the fifth element, which comes in the form of the newly cloned Leeloo. Along with an ex forces cab driver and a priest called Cornellius, Leeloo must piece it together before the end of mankind arrives.

Depending on which side of the fence you sit on, The Fifth Element is either a child fantasy made by an adult, or an adult fantasy made by a child! Here in lies the problem that many critics and movie watchers can't agree on. Just what does Luc Besson's film want to be? Having conceived the concept for his film at a very early age, Besson I think waited until he was comfortable with his adult eyes, and armed with the technological advancements in the late 90s, to realise his vision. With the result being a beautiful piece of science fiction that is, yes- cartoonish in every other frame.

Crucial though is that Besson's futuristic vision of New York dominates proceedings, not even a villain overdrive from Gary Oldman can detract from the colourful vistas that Besson has crafted. The sea has dropped and New York is awash with flying cars, there are no take aways anymore, the Chinese junks fly to your front door to serve you food, how cool is that? Shape shifting aliens are amongst us, who in the context of this Jean-Paul Gautier clothed universe, blend in effortlessly, and opera divas are strangely beautiful and blue creatures. In short, the film is an art direction treat, a feast for the eyes, even as the comedy and action take control in the final third.

Bruce Willis quickly leaves behind his successful trip to harder edged roles (Twelve Monkeys) to play super cabbie Korben Dallas. Gun toting and with a quip at every turn, this is the Willis that the MTV generation loves and adores. Oldman, for better or worse as Zorg, gives a memorable performance (oh my, is that a Southern American accent?), but it's with Mila Jovovich (Leeloo) that the film gets its acting spurs. A pure revelation, it begs the question on why Jovovich has failed to progress in the acting world? (stop doing tripe like Resident "will work for food" Evil films would be a good start).

Sci-fi fans will obviously get the point that the support cast features Ian Holm (Alien) and Brion James (Blade Runner), which off sets the annoying and painful turn from Chris Tucker as zany, insecure DJ Ruby Rhod (is Besson having a pop at world DJs here I wonder?). To leave us with what? A film that mildly suffers from its director giving way to his heart over his head, but hey baby, it's one groovy and enjoyable romp from start to finish regardless. 8/10

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Voir Malcolm X 1992 Streaming Complete - Telecharger Film -1080p-FLA

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Malcolm X"





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Malcolm X 1992

durée

115 minute

révision

1992-11-18

caractéristique

SDDS 1440p
VHSRip

Genre

Drama, History

langage

العربية, English

castname

Talon
T.
Renard, Mann L. Kramer, Tynan G. Hugueny





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titre

Saving Private Ryan 1998

durée

176 minute

relargage

1998-07-24

qualité

ASF 720p
WEB-DL

Genre

Drama, History, War

langue

Český, Deutsch, English, Français

castname

Matlin
I.
Sarenna, Shana N. Eman, Arminda T. Kowsar





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tissus écossais

Tombstone 1993

durée

194 minuscule

relaxation

1993-12-25

qualité

M2V 720p
DVD

Gattung

Western

langagier

English, Latin

castname

Jemiah
A.
Degas, Tehzeeb B. Aesha, Isabell Z. Aroha





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Unbreakable"





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tissus à carreaux

Unbreakable 2000

durée

149 minuscule

libération

2000-11-13

qualité

MPEG-2 720p
WEBrip

Genre

Thriller, Drama, Fantasy

langue

English

castname

Amol
K.
Radia, Soumaya O. Lowery, Della L. Kavir





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Soon found out had a heart of glass.

It often gets forgotten just what an exciting talent M. Night Shyamalan was during the early part of his film making career. True that Unbreakable, with its deliberate slow pacing and left-field narrative, would (and has) proved to be not everyone's cup-o-tea, but there's a film making craft here, and a genius idea brought to vivid life, that makes a spectrum of film lovers lament how his career nose dived, how his ideas quickly got as stupid as his acting...

Unbreakable challenges the thought process, spinning a story that's of a adult comic book heart, but also of a clinical human examination. The narrative is consistently ambiguous, holding the patient viewers in enthral as the cosmic conundrums come tumbling off of the screen. It's refreshing to find a story like this that is so devoid of cliché, where the wonderfully reflective Bruce Willis and the brilliantly fascinating Samuel L. Jackson feed off each other, their character's destinies superbly steered by cast and director. Unbreakable is a complex movie, but not needlessly so, its strengths are numerous for those of a keen eye and ear. It represents Shyamalan's most clever cinematic offering, to which the sad realisation comes to pass that he would never, as yet, be this smart and vibrant again. 10/10
Not The Shamhammer's best, but certainly of the era when he was still making "good".

Final rating:★★★ - I personally recommend you give it a go.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

What a movie! This is one of the most underrated films out there, and it was unfairly compared to The Sixth Sense at the time the former was released. These are two very different movies, but both of them have a lot of twists, which was what brought fame to Shyamalan's films, especially The Sixth Sense.

Unbreakable follows that same methodology. It has a lot of twists throughout the runtime, and they are quite diverse: some are very technical twists, related to our point of view of a particular scene that, as it progresses, we always find ourselves tricked (these ones, most people either don't catch them or just don't care ... For me, it's proof of brilliant writing); the others are the prominent plot twists, where something unpredictable happens to the overall story.

This movie has all of that and much more. The story itself is incredibly captivating since the main plot holds a lot of mystery and suspense, but these only work as well as they did thanks to Shyamalan, both director and screenwriter. His very unconventional way of storytelling and the anxiety that he's able to convey to some fantastic scenes, elevate the film while delivering a perfect narrative. It's even more mind-blowing the fact that this movie still makes so much sense and it didn't lose its replay value after 17 years!

In fact, I bet it would be a striking success nowadays, where the superhero genre is over-saturated. Each year, we get more and more movies following the excessively used genre's formula that makes almost every blockbuster an instant box office hit. Unbreakable is nowhere near that formula, and I genuinely think that any fan of comic-book films must watch this one so everyone can understand what a "grounded superhero movie" actually means. M. Night Shyamalan wrote a story that everyone can appreciate, without all of those big CGI fights and overwhelming visual effects. Comic-book fan or not, Unbreakable is the closest to what reality would be if superheroes really existed.

Regarding the cast, Bruce Willis probably has his career-best dramatic performance in this film. He's terrific as David and I can feel all of the emotions which he wants to transmit to the screen. Samuel L. Jackson brilliantly plays Elijah, who has a real-life disease which SLJ portrayed beautifully and respectfully. The supporting cast is also worth praising since both Robin Wright (Audrey Dunn) and Spencer Treat Clark (Joseph Dunn) play magnificent roles as the wife and son of David, respectively.

Everyone helped Shyamalan direct exquisite dialogue sequences that extended for minutes without end. The editing and production of this movie are unbelievable ... and it was filmed in 2000! There are so many long, one-take scenes that explain in just a few minutes, everything you need to know about a character or a specific place or event ... Even a full action sequence is filmed in just one-take (the stunt work is also pretty efficient)! The soundtrack is so important, especially in the last act where everything comes to a conclusion. It's inspirational and even epic, I dare calling it. It's just perfect! Throughout the runtime, you can barely notice it due to how subtle it is. However, when it is needed to deliver a new layer of feelings, it always raises the moment.

As discussed above, this is a M. Night Shyamalan film, so a very powerful twist right at the end needs to happen ... and it does. It gives the audience an unpredictable perspective about the whole story. I risk myself in saying that it isn't exactly necessary, but the truth is that it makes sense and it does bring the movie to a whole other level, so very, very well done! Finally, I just wish that this film had been released now. It is so much different than what we are used to watching and experiencing, that I dare to say it is one of the best movies inside this genre.

Once again, Shyamalan shows the audience why was he becoming one of the most popular directors/screenwriters and proves that his rather unconventional storytelling, unpredictable twists and excellent direction are skills to praise more often. Bruce Willis and Samuel L. Jackson have great chemistry, but the former has his career-best dramatic performance. The editing, production, soundtrack and even the pacing of this film are entirely flawless, as well as the ending twist that leaves us with our jaws dropped. Unbreakable is one of the most underrated superhero movies ever, but it sits way on top as one of my favorites.

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