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titisme	Hot Fuzz 2007
durée	186 inscrire au procès-verbal
libération	2007-02-14
caractéristique	MPE 1440p DVDScr
Gattung	Crime, Action, Comedy
langage	English
castname	Dilon G. Nareen, Juin H. Ellinor, Petrus F. Olanna

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Homage or parody, Hot Fuzz is the best of modern British comedy.

Police Constable Nicholas Angel is the pride of the London Service, trouble is is that he is making everybody else look bad, so much so his superiors promote him to Sergeant in the sleepy village of Sandford, Gloucestershire. Yet all is not right with Sandford as the locals start meeting grizzly deaths, thus thrusting Angel into his biggest case so far.

The biggest question on most film goers lips was could the pairing of Edgar Wright and Simon Pegg triumphantly follow the monster cult success of Shaun Of The Dead? Well the plot premise for Hot Fuzz hardly leaps out as something to grab the attention span of many, but they have crafted a tremendously funny film that winks at the action genre with genuine love and admiration.

Simon Pegg and his trusty sidekick, Nick Frost, clearly have an earthbound appeal that many (even outside of Britain) can warm too, not pretty or over svelt, these guys are fans of movies making movies purely for the fans, and it shows. Neither Pegg or Frost try to steal scenes from each other, both men after over a decade of working together are clearly comfortable with their coupling and thus manage to fine tune their working chemistry.

Once Angel (Pegg) lands at Sandford Village we are introduced to a ream of British Village stereotypes (archetypes actually), all characters ripe for hilarious scenarios that our fish out water (big city cop) Sergeant struggles to comprehend. We observe as he is dumb struck at the ineptitude of the Village Police Force (erm service actually) and is then forced to work alongside dough eyed Constable Butterman (a film stealing Frost). Angel's exasperation at where he finds himself is mirthful joy to us the viewers. The dialogue is priceless, one liners and hat tipping nods to the action genre come thick and fast, in fact you can watch Hot Fuzz repeatedly and play spot the homage each time. I mean come on people, we got both James Bond (a delicious turn from Timothy Dalton) and Belloq in here strutting their stuff. The action set pieces are not found wanting either, director Wright having the time of his life with the crash bang wallop that flows in the final third.

The test of a great comedy is how it stands up to repeat viewings, to me Hot Fuzz delivers no matter how many times it is viewed. For even when you know what is coming up next, the smile on your face is already there before the event, wonderful, wonderful film made by guys who love movies as much as ourselves. 10/10
I was not sure what to expect from this movie that I found on Netflix a while ago while browsing through the catalog. The movie poster makes it look like a hard-boiled police action movie but reading the reviews it became clear that it was more of a comedy. I had not heard of the movie before but it generally got good reviews so the other evening me and the boys sat down to watch it.

This is a fun movie. A good, old-fashioned British comedy. The core story could very well have been a serious crime story but the way it is implemented makes it so incredibly silly in a fun way. It starts off pretty much right away when PC Angel is told that he will be promoted but moved, because he makes the rest if the bunch of the dimwits at the precinct look bad, to a small British town where the most fun you can have is to watch the grass grow or get drunk and from there it goes downhill for Angel.

His new colleagues are somewhat weird not to mention more or less useless when it comes to police work. The by-the-book Angel is getting more and more frustrated and his only friend is the son of his new boss, whom he arrested on the first day by the way. When the grizzly “accidents” starts to happen the movie, in particular the explanations as to why they are “accidents” and not crimes, become more and more absurd. The special effects guys seems to have learned a trick or two from the Monty Python gang when it comes to over the top gory blood splattered scenes by the way.

In the final showdown between Angel and the totally whacko gang that keeps the town “clean” by deadly serious methods is short references to great many action movies. The amount of shots fired and the ratio of misses versus actual hits is nothing short of ludicrous. It was just so absurdly funny that it is difficult to describe.

If you are in the mood for some good solid British comedy then I can recommend this one. It is a very well done comedy and a lot more enjoyable than the get drunk and/or fall on your arse and/or and puke all over the place “comedies” that comes thirteen to the dozen today.

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Regarder Titanic 1997 Streaming HD - Telecharger Film -1440p-DAT

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tissée	Titanic 1997
durée	135 inscrire au procès-verbal
relargage	1997-11-18
qualité	WMV 1080p WEB-DL
Buchgattung	Drama, Romance, Thriller
langagier	English, Français, Deutsch, svenska, Italiano, Pусский
castname	Vadim G. Oliva, Saphary S. Kamal, Boux I. Tianna

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Troponine — Wikipédia ~ Biochimie Sousunités de la troponine La troponine est une protéine hétérotrimé distingue en effet trois sousunités distinctes Troponine C TnC sousunités responsable de la liaison avec le fois le calcium lié le complexe troponinecalcium se déplace et cesse dempêcher la liaison entre la myosine et lactine La TnC présente une forte similitude entre

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Regarder Malcolm X 1992 Film Streaming - Telecharger Film -720p-Sonics-DDP

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titanesque	Malcolm X 1992
durée	148 inscrire au procès-verbal
révision	1992-11-18
caractéristique	M1V 1440p WEB-DL
Buchgattung	Drama, History
langue	العربية, English
castname	Pebbles S. Newman, Parvina A. Lexa, Nolan G. Petty

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titrable	Unbreakable 2000
durée	121 minute
libération	2000-11-13
propriété	AVCHD 1440p BRRip
Buchgattung	Thriller, Drama, Fantasy
langagier	English
castname	Bridget L. Rangel, Arletta V. Tiguida, Della Q. Delisle

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Soon found out had a heart of glass.

It often gets forgotten just what an exciting talent M. Night Shyamalan was during the early part of his film making career. True that Unbreakable, with its deliberate slow pacing and left-field narrative, would (and has) proved to be not everyone's cup-o-tea, but there's a film making craft here, and a genius idea brought to vivid life, that makes a spectrum of film lovers lament how his career nose dived, how his ideas quickly got as stupid as his acting...

Unbreakable challenges the thought process, spinning a story that's of a adult comic book heart, but also of a clinical human examination. The narrative is consistently ambiguous, holding the patient viewers in enthral as the cosmic conundrums come tumbling off of the screen. It's refreshing to find a story like this that is so devoid of cliché, where the wonderfully reflective Bruce Willis and the brilliantly fascinating Samuel L. Jackson feed off each other, their character's destinies superbly steered by cast and director. Unbreakable is a complex movie, but not needlessly so, its strengths are numerous for those of a keen eye and ear. It represents Shyamalan's most clever cinematic offering, to which the sad realisation comes to pass that he would never, as yet, be this smart and vibrant again. 10/10
Not The Shamhammer's best, but certainly of the era when he was still making "good".

Final rating:★★★ - I personally recommend you give it a go.
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What a movie! This is one of the most underrated films out there, and it was unfairly compared to The Sixth Sense at the time the former was released. These are two very different movies, but both of them have a lot of twists, which was what brought fame to Shyamalan's films, especially The Sixth Sense.

Unbreakable follows that same methodology. It has a lot of twists throughout the runtime, and they are quite diverse: some are very technical twists, related to our point of view of a particular scene that, as it progresses, we always find ourselves tricked (these ones, most people either don't catch them or just don't care ... For me, it's proof of brilliant writing); the others are the prominent plot twists, where something unpredictable happens to the overall story.

This movie has all of that and much more. The story itself is incredibly captivating since the main plot holds a lot of mystery and suspense, but these only work as well as they did thanks to Shyamalan, both director and screenwriter. His very unconventional way of storytelling and the anxiety that he's able to convey to some fantastic scenes, elevate the film while delivering a perfect narrative. It's even more mind-blowing the fact that this movie still makes so much sense and it didn't lose its replay value after 17 years!

In fact, I bet it would be a striking success nowadays, where the superhero genre is over-saturated. Each year, we get more and more movies following the excessively used genre's formula that makes almost every blockbuster an instant box office hit. Unbreakable is nowhere near that formula, and I genuinely think that any fan of comic-book films must watch this one so everyone can understand what a "grounded superhero movie" actually means. M. Night Shyamalan wrote a story that everyone can appreciate, without all of those big CGI fights and overwhelming visual effects. Comic-book fan or not, Unbreakable is the closest to what reality would be if superheroes really existed.

Regarding the cast, Bruce Willis probably has his career-best dramatic performance in this film. He's terrific as David and I can feel all of the emotions which he wants to transmit to the screen. Samuel L. Jackson brilliantly plays Elijah, who has a real-life disease which SLJ portrayed beautifully and respectfully. The supporting cast is also worth praising since both Robin Wright (Audrey Dunn) and Spencer Treat Clark (Joseph Dunn) play magnificent roles as the wife and son of David, respectively.

Everyone helped Shyamalan direct exquisite dialogue sequences that extended for minutes without end. The editing and production of this movie are unbelievable ... and it was filmed in 2000! There are so many long, one-take scenes that explain in just a few minutes, everything you need to know about a character or a specific place or event ... Even a full action sequence is filmed in just one-take (the stunt work is also pretty efficient)! The soundtrack is so important, especially in the last act where everything comes to a conclusion. It's inspirational and even epic, I dare calling it. It's just perfect! Throughout the runtime, you can barely notice it due to how subtle it is. However, when it is needed to deliver a new layer of feelings, it always raises the moment.

As discussed above, this is a M. Night Shyamalan film, so a very powerful twist right at the end needs to happen ... and it does. It gives the audience an unpredictable perspective about the whole story. I risk myself in saying that it isn't exactly necessary, but the truth is that it makes sense and it does bring the movie to a whole other level, so very, very well done! Finally, I just wish that this film had been released now. It is so much different than what we are used to watching and experiencing, that I dare to say it is one of the best movies inside this genre.

Once again, Shyamalan shows the audience why was he becoming one of the most popular directors/screenwriters and proves that his rather unconventional storytelling, unpredictable twists and excellent direction are skills to praise more often. Bruce Willis and Samuel L. Jackson have great chemistry, but the former has his career-best dramatic performance. The editing, production, soundtrack and even the pacing of this film are entirely flawless, as well as the ending twist that leaves us with our jaws dropped. Unbreakable is one of the most underrated superhero movies ever, but it sits way on top as one of my favorites.

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tissé à la main	The Prestige 2006
durée	178 minute
émission	2006-10-19
caractéristique	M4V 1440p BRRip
Buchgattung	Drama, Mystery, Thriller
langage	English
castname	Heidi B. Jamario, Voletta Q. Jayquan, Cruiz Q. Osborn

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tissée	Tombstone 1993
durée	198 minuscule
relargage	1993-12-25
vertu	FLV 1080p HDRip
Genre	Western
langage	English, Latin
castname	Samaya T. Irina, Kaleah V. Caressa, Callum T. Marmion

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titillation	The Fifth Element 1997
durée	123 minute
délivrance	1997-05-07
qualité	AAF 720p BRRip
Gattung	Adventure, Fantasy, Action, Thriller, Science Fiction
langagière	English, svenska, Deutsch
castname	Sherley T. Mueen, Longet I. Duffet, Drake C. Ruest

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This movie is one of the best movies of all time! It has a great story lines and graphics of it's time and even to today's standards it is brilliant. The world is well though out and well demonstrated. Zorg is a great bad guy, played by Gary Oldman and Bruce Willis plays his role very well. All in all a excellent movie.
A simple enough concept: Guy must save a World (in the Future!) from Evil! by protecting a Magical Macguffin, only in this case it’s a Girl! instead of a Thing.

There’s really not a lot of story here. Not a lot of character either. Why waste valuable screen time with such paltry concerns when you can instead have Chris Tucker prancing around as a flamboyant radio host in the most annoying cinematic sci-fi supporting character not created by George Lucas? Instead, the film casts actors who do a fair job of acting simply by being themselves: Bruce Wills is Korben Dallas, a brawny, shoot-first hero who, when the chips are down, is brawny and shoot-firsty. The Magical Girlfriend MacGuffin, Leeloo, is played by Mila Jovovich (in her breakout performance) and some strategically-placed wrappings (the wrappings have had a harder time breaking into more mainstream roles). Ian Holm turns up as the Old Mentor, and filling out the cast is Gary Oldman as the antagonist Zord (in his hammiest role ever).

The film seriously rises to the level of made-for-SciFi Channel-original and no higher. The plot is nonsensical, the acting committed but laughable, and the dialogue so stiff you’d think the script pages had been starched.

So where does the film go legitimately wrong? Two main places: first, Besson carries on the proud tradition of French filmmakers doing weird things solely for the sake of being weird. The entire film is filled to the brim with the kind of idiosyncratic touches that I’ve come to expect from that region. Most of the bits don’t work, but I’ll give them credit for keeping things interesting.

The second, more serious issue is another that seems to plague genre French directors, and that’s the whole matter being played (largely) for farce. The most successful (creatively) American (sci-fi/)action films are defined in very large part by their villain. This film, like so many other sci-fi/action films I’ve seen from French directors, never establish or maintain an element of power for the villains over the heroes. The villains are painted as clueless, moronic, out of their depth, or outright incompetent. That tradition continues here. What would Star Wars be without Darth Vader? Die Hard without Hans Gruber? Aliens without…uh, aliens?

Lacking a strong (or even memorable) central villain (we have two: a Gary Oldman so hammy I’m pretty sure Muslims couldn’t work on the film, and the other being a giant planet-size ball of…Pure!Evil! No joke.), the film sacrifices the one shot it had at having some kind of weight or dimension. There’s no sense of danger or peril, no chance that the Hero won’t triumph, and [spoilers!] the day is essentially saved by a Care Bear stare.

So, does what I’ve just said make it bad? Well, yes. Let’s try again. Does that made it unenjoyable? No, and it’s an important distinction to make. The film is an interesting curiosity. After a half-hour of the bizarre, if you can let yourself be swept into its idiosyncratic world you’ll find a perfectly watchable B (or C)-movie. It rankles a bit to think about how much was wasted making dreck this dreck-y, but it’s entertaining dreck.
Ever since I first watched The Fifth Element in the late 90s, I've been inspired by Gary Oldman's Jean-Baptiste Emanuel Zorg.

_Final rating:★★★½ - I strongly recommend you make the time._
Negative, I am a meat Popsicle.

It's 2259 and the Earth is in mortal danger from pure evil. The only hope Earth has is something called the fifth element, which comes in the form of the newly cloned Leeloo. Along with an ex forces cab driver and a priest called Cornellius, Leeloo must piece it together before the end of mankind arrives.

Depending on which side of the fence you sit on, The Fifth Element is either a child fantasy made by an adult, or an adult fantasy made by a child! Here in lies the problem that many critics and movie watchers can't agree on. Just what does Luc Besson's film want to be? Having conceived the concept for his film at a very early age, Besson I think waited until he was comfortable with his adult eyes, and armed with the technological advancements in the late 90s, to realise his vision. With the result being a beautiful piece of science fiction that is, yes- cartoonish in every other frame.

Crucial though is that Besson's futuristic vision of New York dominates proceedings, not even a villain overdrive from Gary Oldman can detract from the colourful vistas that Besson has crafted. The sea has dropped and New York is awash with flying cars, there are no take aways anymore, the Chinese junks fly to your front door to serve you food, how cool is that? Shape shifting aliens are amongst us, who in the context of this Jean-Paul Gautier clothed universe, blend in effortlessly, and opera divas are strangely beautiful and blue creatures. In short, the film is an art direction treat, a feast for the eyes, even as the comedy and action take control in the final third.

Bruce Willis quickly leaves behind his successful trip to harder edged roles (Twelve Monkeys) to play super cabbie Korben Dallas. Gun toting and with a quip at every turn, this is the Willis that the MTV generation loves and adores. Oldman, for better or worse as Zorg, gives a memorable performance (oh my, is that a Southern American accent?), but it's with Mila Jovovich (Leeloo) that the film gets its acting spurs. A pure revelation, it begs the question on why Jovovich has failed to progress in the acting world? (stop doing tripe like Resident "will work for food" Evil films would be a good start).

Sci-fi fans will obviously get the point that the support cast features Ian Holm (Alien) and Brion James (Blade Runner), which off sets the annoying and painful turn from Chris Tucker as zany, insecure DJ Ruby Rhod (is Besson having a pop at world DJs here I wonder?). To leave us with what? A film that mildly suffers from its director giving way to his heart over his head, but hey baby, it's one groovy and enjoyable romp from start to finish regardless. 8/10

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